By Heather Day Gilbert
So you've done it. Your first novel is out in the
world, garnering reviews and gathering readers. You're ready to brainstorm or
edit that second novel in the series...
But
out of nowhere, fears overwhelm you. It's your sophomore novel. Will readers
love it like the first? Will the characters be as endearing? Will you totally
miss the mark with book two?
This
is a syndrome I'd like to refer to as the "sophomore novel blues,"
and I struggled with this myself. It came out of nowhere and nearly flattened
me as I tried to write book two in my A Murder in the Mountains mystery
series.
I
was totally unprepared for these near-crippling blues, because I had two other
books out (one is non-fiction, and the other is book one in a different
series). Why did that second-in-series book cause me so much angst?
I
think it is a culmination of reasons:
First,
if you had characters people loved in book one, re-creating those characters
and continuing their development in ways readers will still love
can be daunting. What if you accidentally take them off-track or give them some
habit readers can't stand?
Second,
if you read your reviews (yes, I do), those negative words that have lodged
somewhere deep in your mind kick loose for that sophomore novel, swirling
before your eyes with every word you type. Oh no! That reader thought your main
character was too serious! Maybe she needs to start cracking jokes every other
paragraph! Or conversely, your main character struck that other reader as too
glib...maybe she needs to get pensive at least once every scene?
I
think the only way to tamp down these negative reviews is to focus on the
positive ones and to realize–: negative
reviews come from people who are not your readership. They aren't the
ones who will even be buying book two, most likely. They didn't like book one.
So don't let their harsh opinions stop you. No book can please every reader out there. Check out the
reviews on some top classics and you'll see what I mean!
Third,
each book in the series builds on the others. So this involves making sure all
the details line up. We must double-check timelines and character traits. How
old was this character in book one, and how old would that make her now? It was
winter in book one...how many months have passed and what season are we in now?
What color eyes did that secondary character have again? Granted, those things
are relatively simple and easy to figure out, a necessary part of creating a
believable series.
I think the only way to bust through the sophomore
novel blues is to write the book. Don't allow
yourself to get hung up in chapter five as those doubts assail you. Write
through it. Get that rough draft typed out and send it to your critiquers. They
will let you know if you've missed the mark and how to tweak, but you'll never
get to that stage if you don't have a finished rough draft.
I
didn't hesitate to send early reader copies of my first mystery out to readers.
But when it came to sending out book two in the series, I hesitated. Was this
book good enough? Would they still like my characters? The mystery was
different—was it something they'd enjoy?
I
am so thankful to say that many readers got back to me quickly saying they enjoyed this mystery even better than
the first. This is what every author wants to hear—that with each
book, we're reaching our reader demographic even better than we did with the
previous release.
The
thing is I'd never have gotten this book out if I hadn't pushed past those
sophomore novel blues. I hope you can do the same, and are richly rewarded for
it!
____________________________________________________________________
HEATHER DAY GILBERT enjoys writing stories
about authentic, believable marriages. Born and raised in the West Virginia
mountains, she believes that bittersweet, generational stories are in her
blood. A graduate of Bob Jones University, Heather has been married for
eighteen years and has three children. Heather's
Viking historical novel, God's Daughter, was an Amazon Norse
Bestseller for an entire year. She is also the author of Miranda Warning and Trial by Twelve, Books One and Two in A Murder in the Mountains mystery series, and the Indie
Publishing Handbook: Four Key Elements for the Self-Publisher. Heather's website.
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