How to Choose a Writing Conference (Part 1)

DiAnn Mills  @diannmills

"Expect An Adventure"

Writers are encouraged to attend writing conferences, but what are the guidelines? How do writers choose which conference works best for them? Is there a list of guidelines to eliminate the confusion?

Let’s take a look at writing conferences and how these events can benefit a writer’s career.

Writers, Research and TED Talks

By Annette Cole Mastron, Communications Director for Southern Writers Magazine

The wintry weather keeping me housebound has provided an opportunity for me to delve into TED talks. I’ve found these very helpful and interesting, so, instead of hibernating, I used the snow days to catch a couple of authors sharing their advice. 

“TED is a nonprofit devoted to spreading ideas, usually in the form of short, powerful talks (18 minutes or less). TED began in 1984 as a conference where Technology, Entertainment and Design converged, and today covers almost all topics — from science to business to global issues — in more than 100 languages. Meanwhile, independently run TEDx events help share ideas in communities around the world.”

The collection of TED talks from  11 authors talking will inspire you. “These well-known writers weave beautiful words on the page … and on the stage.” Here is the link.

All you have to do is sign up for free, log in, and view the authors that interest you.  

TEDs are little video monologues. Have you ever needed to research a subject from an expert? You can probably find a TED talk on the subject. Plus, you can watch TED talks in your pj’s, by a cozy fire with a steaming cup of coffee from the comfort of your own home. 

One of my favorites is when author, Tracy Chevalier looks at paintings, she imagines the stories behind them: How did the painter meet his model? What would explain that look in her eye? Why is that man ... blushing? She shares three stories, inspired by portraits, including the one that led to her best-selling novel Girl With a Pearl Earring.  Here is link.

Have you viewed TED talks? 

What’s your favorite? 

Failure to Communicate

by Gary Fearon, Creative Director, Southern Writers Magazine

While having lunch with a friend recently, we noticed that our waitress seemed to be experiencing some stress.  She was having issues with the kitchen, and we overheard her on her cellphone arguing with someone. 

Since only a few minutes earlier she had been friendly and chatty with us, we felt a certain compassion for her.  When she returned to our table acting very distracted, my companion thoughtfully suggested she relax for a moment and catch her breath, because she seemed a bit flustered.

"I'm a bit what?" she asked.

"Flustered."

"What does that mean?"

I wanted to say "nonplussed", but that wouldn't have been the moment.  We had to think of a layman's definition, and came up with something like, "You know...troubled, upset, confused."

"Okay," she said, leaving the table numbly and only returning later to bring us the bill.  We still don't know if she was offended by our observation, or simply further nonplussed.

It got me thinking about how we writers—with our enviable command of the English language—can easily forget who we're talking to. This is, of course, generally forgivable in everyday conversation, but when writing, it's essential never to talk down to our audience.  Children's authors aren't the only ones who'll tell you how important it is to reign in too-fancy vocabulary.

We keep hearing that writing at no higher than an 8th grade level will be appropriate for most audiences.  How we're supposed to remember—and avoid—which words we've learned since grade school, I have no idea, but to be safe I find myself watching more episodes of Are You Smarter Than a Fifth-Grader?

A higher level of communication is one of many reasons we love talking to other writers.  Not only are authors a fun bunch, but talking about writing is always interesting, and we learn so much from each other.  You'll find this to be especially true this weekend when we debut the next edition of our Southern Writers Radio Show webcast.

The new show will feature intriguing in-depth conversation with some of your favorites, and some who will become your favorites: Tamera Alexander, C. Hope Clark, Kimberly Brock, Lindi Peterson, and Erika Robuck, along with Kimberly Rae, who joins us for a riveting round of our writers' game WordPlay.  It's a diverse group of wordsmiths who have fascinating insights to share about the writing craft.  You won't want to miss it!  Look for the link this weekend in the right-hand column here at Suite T, as well as on our main website, www.southernwritersmagazine.com  (Update: Click here to listen to the new show).

In the meantime, you can still hear the current edition, featuring Sandra Balzo, Pamela King Cable, Kala Ambrose, Rhonda Rhea, Terry Whalin, Edie Melson and Danny Iny right now, by visiting this direct link to Southern Writers Radio Show: http://swonline.homestead.com/radioshowfall2012.html
It's free, it's online, and it's just for us writers. It's especially good if you're feeling flustered.

The Element of Surprise

by Gary Fearon, Creative Director

"Surprise, surprise, surprise!" isn't just a favorite Gomer Pyle catch phrase, but an essential element in anything we create to attract an audience. It's alive in the punchline of a comedian's joke, in the chord change that makes a song catchy, and in the turn of events that move a storyline along.

"The secret to humor is surprise," said Aristotle, who just might have been the first to laugh at someone slipping on a banana peel. His philosophy could easily and correctly be adapted into "the secret of all entertainment is surprise".

When we didn't see something coming and our anticipation does a 180, we react with emotions that run the gamut from laughter to shock.  In every case, the fact that we weren't expecting this new development makes it interesting. The more surprises we can inject into our creation, the more compelling it becomes.

Robert Frost said, "No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader."  May we surprise ourselves with something wonderful every time we sit down to write.

Meanwhile, it comes as no surprise to us that great writers also make great conversationalists.  That was definitely the case when we engaged in delightful dialogue with the authors who appear on our very first Southern Writers Radio Show, which debuted this weekend.  This quarterly webcast delves into the nitty gritty of wordsmithery with the help of awesome authors who also appear in the magazine.

Sandra Balzo tells us how she gives her mystery readers clues to whodunit in books like Triple Shot while still protecting the surprise ending. Pamela King Cable shares with our Editor-in-Chief, Susan Reichert, the surprising behind-the-scenes experience that led her to write her new novel, Televenge. Kala Ambrose explores a city full of spooky surprises in her travel guide to the other side, Spirits of New Orleans.  And, in a lively game, the hilarious Rhonda Rhea has to navigate a wordy challenge we surprise her with.  Can she do it?  You'll be surprised!

With additional segments on self-promotion, social media and book proposals, Danny Iny, Edie Melson and Terry Whalin provide the rest of what you'll find to be an informative — and inspirational — slice of the writing life, from the voices of experience.

Tune into Southern Writers Radio Show online anytime, with the click of a button. It's our newest venue for authors, and one more way to connect you great Southern writers with other great Southern writers.  Happy listening!