Friday, January 22, 2016
You’ve Written a Book – What Next?
By Dr. Lin Stepp
The calls, emails, and questions I get most often as an author are from new writers who say, “I’ve just finished a book. What do I do now to get it published?” Most hope to be traditionally published—versus self-publishing their book—so I’m addressing my blog response to these writers.
Dear new author …
I am so excited you’ve finished your first book and I know you are eager to find a publishing home for it. As requested, here are my tips to help you in your journey to find a publisher:
(1) First, be sure your book is the best it can be; it’s “your product” and it is your responsibility to prepare and package it in the best way possible. New writers often don’t have enough experience to recognize inherent problems that could keep their work from getting a contract. Like parents with a new baby, they see their creation as beautiful, perfect, and without flaw. But, unfortunately, like any “first effort,” it needs a lot of work. … So a writer’s first job is to self-edit their book extensively using a thorough guidebook like Self-Editing for Fiction Writers by Renni Browne and Dave King, and then to pay a qualified editor to read and provide further help before submission.
(2) Once the product is “professionally polished and edited,” the next step is to find an agent or a publisher. An agent helps an author find a publisher and negotiate publishing contracts. Books such as The Writer’s Market provide listings of reputable agents as well as reputable publishers. Many large publishing giants will not accept direct queries from authors without an agent, but many publishers will. There are no “credentialing associations” for agents or publishers, as for attorneys or CPAs, so a new writer must carefully research either for credibility, checking authors they represent and associations they belong to. Authors must also be legally watchful about contracts they sign with either. A website called “Preditors and Editors” can help, as there are many predators willing to take advantage of eager, excited, and inexperienced authors. Be wary and “run” from any agent or publisher who wants money from you to handle your work.
(3) Once a reputable offer comes in from a publisher—directly or via an agent—have a publishing attorney review any contract before signing it. I have heard enough heart-breaking stories of contracts signed in haste to wisely council any new author to be extremely careful of any and all contracts. They are easy to sign but not easy to get out of.
(4) When you are “pitching” your book to an agent or publisher, be aware that you’re creating a marketing pitch for your product. Study the guidelines for creating good query letters, and read the guidelines each agent or publisher provides regarding submissions—and adhere to them rigidly. Be aware that not only is an author pitching their book “for sale” … they are pitching themselves as an author. The question is not simply: Why should an agent or publisher be interested in your book?... but Why should they be interested in you as an author? What qualifies you to write your book? What educational and work background could be an asset as an author? How long did it take you to write your book and how quickly can an agent or publisher expect to see another in follow-up? Agents and publishers want to put their time and money behind “producers.”
Finally, what plans can you present to an agent or publisher as to how you will help market and promote your product? A whole new career begins for an author after a contract is signed and you need to be ready to discuss your proposed part in it. An excellent help book in this area is Chuck Sambuchino’s Create Your Writer Platform.
As you can see from these four tips, it takes a lot of work to find a publisher for a book. It is naïve to assume the job is done when the book is finished. The reality is that getting a book ready to present to an agent or a publisher requires extensive study, research, and effort. If an author is unwilling to study, research, and work in the stages prior to publication, they are unlikely to gain a publisher or to be successful if they do. A popular quote suggests: “There is no elevator to success, you have to take the stairs.”
However, if you’re up for the climb, the view is great from the top.
Dr. Lin Stepp is a native Tennessean, a businesswoman, and an educator. She is a past faculty member at Tusculum College where she taught research and a wide variety of psychology and counseling courses for 20 years. Her business background includes over 25 years in marketing, sales, production art, and regional publishing. She has editorial and writing experience in regional magazines and in the academic field.
Lin Stepp has twelve published novels each set in different locations around the Smoky Mountains. Her first five novels were published by an imprint of John F. Blair Publishing of Winston Salem, North Carolina. These novels included The Foster Girls (2009), Tell Me About Orchard Hollow (2010), For Six Good Reasons (2011), Delia’s Place (2012), and Second Hand Rose (2013). Five subsequent novels were published by Kensington Publishing, New York, including Down by the River (June 2014), Makin’ Miracles (January 2015), Saving Laurel Springs (October 2015) and Welcome Back (March 2016) as well as a short novella A Smoky Mountain Gift included in the 2014 Christmas anthology, featuring Fern Michaels, and titled When the Snow Falls.
Continuing books, published by Mountain Hill Press, include Daddy’s Girl (2017), Lost Inheritance (2018), The Interlude (2019), Happy Valley (2020), Downsizing (2021) and three titles in a coastal series Claire at Edisto (2019), Return To Edisto (2020) and Edisto Song (2021). Lin Stepp and her husband J.L. also write regional guidebooks, including a Smokies hiking guide titled The Afternoon Hiker (2014), a guide to all the 56 Tennessee state parks called Discovering Tennessee State Parks (2018) and state parks guide to South Carolina parks Exploring South Carolina State Parks (2021).