The Business of Writing: Which Writing Organizations Should I Join?

By Edie Melson, Social Media Director for Southern Writers Magazine

I remember what it was like when I was just starting out as a writer. There was so much to learn. Part of that learning process is deciding where to invest our time and money—and that includes figuring out which organizations to join.

Which Organizations Should I join and Why

I’ll start with the why.

1. Every writer needs the support of other writers. Sometimes we get that one on one—with a mentor. But more often, we find that within a group.

2. Membership in a professional organization shows serious intent. It proves to publishers and agents that we’re willing to invest in a writing career.

There are two major options for organizations:

1. Find a local group. Good places to look are on social media, and through local libraries and bookstores. They will often have a listing of any local writing groups. It’s not always possible to find a local group, but that’s where I recommend you start.

2. Find an online group. There are many excellent national groups that have an online presence. I’m a member of several. Here are some I can recommend:

·         ACFW (American Christian Fiction Writers): is for Christian fiction writers. It offers lots of benefits to members, including free online classes from publishing professionals, a national conference, and an email loop where you can ask writing related questions.

·         Word Weavers International: This is a great critique group option. They have local groups, as well as online groups. This group was developed over years of experience in what works to help new and even more advanced writers.

·         SCBWI (Society of Childrens Book Writers and Illustrators): This is specifically for those who write for children and young adults.

·         ASJA (American Society of Journalists & Authors): This is specifically for the non-fiction writers.

·         RWA (RomanceWriters of America): This is a national group for romance writers in general.

·         NWU (NationalWritersUnion): I’m not a member of the national freelance writers group, but it’s a reputable group and I hear good things about it.

·         NWA (NationalWriters Association): Again, I’m not a member, but this is another reputable group that I hear good things from.

·         Advanced Writers & Speakers Association (AWSA): This is a group of professional writers & speakers. They have requirements to join, but I’ve found this group to be a huge value for me as a professional

·         Christian Authors Network (CAN): Again, this is a professional group, but another one that has been a great asset for me in my publishing career.

These groups are just the tip of the iceberg. There are dozens of other groups—Learn How to Write a Novel, Serious Writer, Realm Makers, etc. I really don’t have room to list them all, and I know I’m leaving some great ones out. But this is where writers begin to take ownership of their careers—doing the research for professional organizations to join.

Layer by Layer

By Chris Pepple, Writer-At-Large for Southern Writers Magazine

When I speak to writing groups, our conversations often turn to character development. How do we let our readers get to know our characters? If you are writing a short story, your readers need to know the intimate details of your characters fairly quickly, so they can love them (or dislike the antagonists) before the ending. You must introduce the characters through conversations and actions early in the story, so your readers can relate to them.

If you are writing a novel, however, you can add depth to your characters by letting the readers get to know them in stages. You can reveal their personalities layer by layer. I have an exercise I use in my seminars that reminds us that what we first see in a person is not always indicative of what the person is actually feeling or thinking. For example, a person suffering from depression often appears very happy at first glance. An introvert may be labeled as shy even though they are quite confident around others and enjoy group social settings. They may just need some quite time alone to recharge later.  

For this exercise, draw a square in the center of a blank piece of paper (make the square large enough to write in). Draw a larger square around that one, leaving room to write between the two squares. Draw another square around that one, still leaving room to write inside the lines. In the first inside square, write a description that reveals the innermost traits of the character you are developing at the moment. Write things that only the character knows about herself: hidden fears, deep worries, hidden depression or social anxiety, secret crushes, easily tired, secretly hates the family’s famous dessert recipe, insomnia.

Just outside of that box and inside the lines of the second one, write what close friends and family members would think about that character: loyal, responsible, easily tired, workaholic, messy, funny, charming, etc. Use the lines between the second and third box to write what co-workers and acquaintances see when they run into the character in a social setting. 

Would they see the character as a nice dresser, dependable, always late, willing to speak up in a meeting, someone they can ask advice about a project? Around the outside of the last box, write the physical description of the person that everyone in public can see. Describe the hair color, eye color, height, and build of the character. Does that character use a cane or a wheelchair?

These boxes remind you of the many layers of your character. When you are writing your novel, reveal your characters to your readers in stages the way we get to know people in our lives. Let readers get to know your characters layer by layer as the plot develops.