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Showing posts with label Lori Benton. Show all posts
Showing posts with label Lori Benton. Show all posts

September 2, 2020

A Good Few: Those Who Resisted Slavery Well Before the Civil War

Lori Benton


While writing my latest novel, Mountain Laurel, I had cause to research the grassroots beginnings of what would become the Underground Railroad, a secret network of routes established during the early 19th century, used by slaves in the southern United States to escape into free states, or Canada. Because Mountain Laurel, set in the 1790s, has much to do with slavery and freedom, I wanted to look farther back, to discover—if I could—the earliest documented account of someone helping a slave to freedom. Most readers with an interest in Civil War history and the decades leading up to the 1860s have likely heard of Harriet Tubman and Frederick Douglas, two of the most famous participants in the Underground Railroad. But who was the first? We will likely never know, secrecy being a key component to the success of such actions, but I can imagine how it might have transpired.

Once upon a time, somewhere in a southern state or colony, a man or woman whose name is lost to history found the courage and humanity to aid an escaped slave along his desperate road to freedom. Perhaps he hid the fugitive in his hay loft. She might have offered food, or told of a friend, miles to the north, willing to shelter the runaway for the night. Perhaps he simply turned a blind eye to the fugitive when the laws of his day dictated otherwise.  

Whoever was the first to aid a runaway slave, by the mid-1800s an organized network of such people extended from the central United States into Canada. Those who guided the fugitives were called conductors. Places where slaves sheltered were dubbed stations. Those who sheltered them were stationmasters. For the most part they were farmers, business owners, ministers. Ordinary folk.

Levi and Vestal Coffin, North Carolina Quakers, established the earliest known system for conveying fugitives north to the free states, beginning around 1813. Josiah Henson, once a slave in Maryland, became a conductor for other fleeing slaves. Giles Pettibone, justice of the peace and state assemblyman, helped hide a family of slaves for weeks. Isaac Hopper, a tailor’s apprentice in Philadelphia, assisted fugitives to freedom with letters of introduction and directions to a sympathetic Quaker’s house. Whether or not these individuals—and hundreds like them—imagined themselves part of a national movement, they acted out of uncompromising conviction, courage, or compassion, recognizing in the face of a fugitive their shared humanity.

If this brief mention of some of those who put action to their convictions has you curious to know more, I highly recommend beginning with Fergus M. Bordewich’s Bound for Canaan, The Underground Railroad and the War for the Soul of America.

Lori Benton was raised in Maryland, with southern Virginia and Appalachian frontier roots generations deep. Her historical novels transport readers to the eighteenth century, where she brings to life the colonial and early federal periods of American history. Her books have received the Christy Award, the Inspy Award, and have been honored as finalists for the ECPA Book of the Year. Lori is most at home surrounded by mountains, currently those of the Pacific Northwest where, when she isn’t writing, she’s likely to be found in wild places behind a camera.

Visit https://loribenton.com/about



August 26, 2019

The Landscape of Character Building



By Lori Benton


The seasons of the writing life allow me time to pursue another creative passion, landscape photography, and my home state of Oregon offers an abundance of breathtaking subjects. From lush snow-capped mountains to rugged coastline, thundering waterfalls to high desert mesas, the character of the Pacific Northwest landscape is endlessly varying.

Providing readers with multifaceted characters who live and breathe on the pages of a novel often feels like condensing the centuries-long process of a landscape’s alteration into the span of a few months. And like those landscapes, story characters are built in layers, starting with their earliest defining moments.

A defining moment in a character’s life might be as subtle as a breeze or as cataclysmic as a landslide that forever reshapes their inner topography.

Every writer comes at this crucial aspect of storytelling—character building—uniquely. Since characters initially come to me as the person who appears in the early chapters of their story, my method of fleshing out that character requires sifting through a seemingly endless array of potential soul-shaping experiences a person could have and choosing those that best support the character who has leapt out of the ether of my imagination.

Why is he this way? What events or people shaped her?

Like a geologist digging through the strata of a cliff-side, it’s my job—via research into the life my historical character would have known or by simple persistent rumination—to unearth their past and discover their emotional layers and the experiences that laid those layers down in that particular pattern.

The emotional scars he bears. The lie she believes about herself. A disappointment that still bleeds raw. The hope she clings to despite all odds. That thing he’s sworn he will never do or believe. Her deepest fear. His secret weakness.

Such layers provide an emotional arc, the inner battle a character will wage throughout the pages of their story.

The creation of these layers usually happens in tandem with a novel’s plotting and even writing. 

Character building, story plotting, and writing are a braided process that at times feels as erratic and unpredictable as this planet’s weather. It requires a measure of faith to press on, but if I do then eventually a believable, vibrant character emerges. Layers of defining moments have made her who she is in the story’s opening pages, ready to be challenged and shaped by the story’s narrative, to make the inevitable—yet hopefully surprising—choices those layers have prepared her to make.

Character building, once it’s complete, feels like magic every time. Yet like water rushing over stone, wind rippling a dune, or the violent upheaval of an earthquake, it’s a magic constructed of many defining pressures brought to bear. Like that wind and water, with relentless patience we mold the souls inhabiting our novels, creating multilayered characters that have the power to sweep a reader away on a story’s tide.
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Lori Benton was born and raised east of the Appalachian Mountains, surrounded by early American and family history going back to the 1600s. Her novels transport readers to the 18th century, where she brings to life the Colonial and early Federal periods of American history, creating a melting pot of characters drawn from both sides of a turbulent and shifting frontier, brought together in the bonds of God's transforming grace. Lori's debut novel, Burning Sky, earned the 2014 Christy Award for First Novel, Historical, and Book of the Year. Photo 1 by Lori Benton, Photo captions (all photo by Lori Benton) Grandmother Rock; Trinidad CA, Painted Hills; Mitchell OR



October 27, 2017

Many Sparrows


By Lori Benton


Journeys come in all forms, don’t they? Actual road trips, relationships, careers, birth, adoption, illness, healing, even hobbies. Sometimes we embark on journeys of self-discovery, emotional or spiritual. Often we’re aware of the journey lying before us before we take that first intentional step, though rarely do we have the smallest inkling of all that awaits us around each bend; delights, surprises, joys, disappointments, challenges, triumphs—and at last our destination, though perhaps not the destination we anticipated at the outset.

Getting married at eighteen was an intentional journey (30 years ago tomorrow, as I write this post). Starting my first novel when I was twenty-two was an intentional journey. Moving from the east coast to Oregon with my husband when I was twenty-four was another. Being diagnosed with cancer at thirty, however, wasn’t one of those journeys I’d have chosen to take, yet it proved to be a journey of impact like no other before it.

The type of cancer I had, Hodgkin’s Lymphoma, isn’t usually difficult to cure these days. Mine was caught relatively early on and true to doctors’ predictions, after six months of chemo and radiation I was pronounced all clear. And have remained so for nearly nineteen years. All clear. Only… not.

This cancer experience might have been a brief detour in my writing journey save for one side effect to the treatment I never saw coming. Chemo fog, or brain fog. It descended during chemo and didn’t lift for nearly five years. Five years in which, still unpublished but intentional about changing that, I spun my wheels in an ever more dispiriting mess of words that simply wouldn’t come together to do what I was once able to make them do… create a story with a beginning, middle, and end, full of characters living out their own emotional, physical, and spiritual journeys that I would bring—through much trial and challenge of course—to satisfying conclusions. My brain wasn’t able to do the work anymore and trying to force it to do so left me frustrated, exhausted, and bereft, feeling I’d lost a vital part of myself.

Until I came at last to a point of surrender. My will for God’s will—for I believe He’s the one in control of all that concerns me. I stopped trying to write. I took up other forms of creativity. I allowed myself to play. I found patience with my limitations. And gradually, with time, that fog did lift and I wrote another book and it became my first published novel.

Maintaining hope in a season of waiting is a theme in my latest release from WaterBrook Press, Many Sparrows, one that obviously still resonates with me so many years past that difficult journey of waiting through chemo fog. You’d think I’d have learned well not to fret in such seasons, but so often I need to be reminded of what I already know. That sometimes the hardest journey to take is one of standing still, but that’s no less a journey than one in which every step is laid out before us and we are free to step along lively.

And then there are those journeys we don’t even recognize until we’re some distance down the road. About a year ago I embarked on such a one. Before I began writing that first novel at twenty-two, I’d had a lifelong passion for painting and drawing. I attended art college for two years and had even begun a career as a wildlife painter. Then the writing bug bit.

The life of a published writer is, I’ve since found, far more demanding creatively than painting ever was. After a few published novels I found myself hovering dangerously close to burn out. About that time, through a friend with a passion for landscape photography, I discovered Instagram and the many photographers sharing their work through that venue. I had a little Kodak Easy Share camera gathering dust and had just purchased my first smart phone. I thought, “I can do this!”

Thus began that unexpected journey. Along the way I’ve discovered things about myself and rediscovered others. I have a sense of adventure. I’m not afraid to hike new trails alone. I live in the Pacific Northwest, an area that is proving inexhaustible in its beauty. But I think the greatest and most unexpected blessing has come in learning to edit my photos after the joy of exploring and taking them; that young artist I used to be has woken up. I’m painting again, just with pixels instead of paint.

Where will this photo journey lead me? I don’t yet know but sense it’s leading somewhere. And that’s part of the thrill of journeys. The unknown. But don’t you want to go just a little farther, see what lies around the next bend?

I wish you joy in your journeys, wherever they may lead!
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Lori Benton’s novels transport readers to the eighteenth century, where she brings to life the Colonial and early Federal periods of American history. When she isn’t writing, reading, or researching, Lori enjoys exploring and photographing the Oregon wilderness with her husband. She is the author of Burning Sky, recipient of three Christy Awards; The Pursuit of Tamsen Littlejohn;Christy nominated The Wood’s Edge; its sequel, A Flight of Arrows; and her latest release, Many Sparrows. Her Social Media Links are Website http://loribenton.blogspot.com/  Twitter https://twitter.com/LLB26