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Showing posts with label The Unfinished Gift. Show all posts
Showing posts with label The Unfinished Gift. Show all posts

April 6, 2020

Still Waiting to Buy the Yacht



By Dan Walsh


Founding Father John Adams famously once said, “Facts are stubborn things.” Over the decades of my life, this quote has guided me at least a hundred times (maybe a thousand) and kept me from living in a constant state of desires-created/desires-destroyed. A Scripture verse that serves the same role is: “Hope deferred makes the heartsick” (Prov. 13:12). Modern translation? When you want something badly and don’t get it, you get depressed.

The bigger the hope that gets crushed, the deeper the “heartsickness” that follows.

I’ve learned that my heart can crave or want something to happen fairly easily. But the overwhelming majority of these desires don’t pan out in real life. Why? Because facts are stubborn things. They could care less about the things I desire. So, I decided a long time ago to keep my heart/desires in check until I’ve uncovered the facts in a situation. And even if the facts line up, it’s no guarantee God will say yes.

What does this have to do with writing? Well, a lot I think.

Since last month’s column, I’ve read an Author’s Guild blog from January that laid out the results of an extensive survey done with over 5,000 published writers. It concluded that the average annual income for authors is around $6,080/year. And that includes everything. From book income alone, the average drops to $3,100/year. Which happens to be LESS THAN HALF of what it was 10 years ago. So, the trend is moving the wrong way. (Click Here to read it).

These are not encouraging stats. Even among authors who claimed to be “writing fulltime” the median annual income was only $20,300 (well below the Federal Poverty line for a family of 3).

These are the facts. And they are stubborn things. And these stubborn facts have been true for quite a long time. But I don’t think these facts are widely known or understood. SO many of the authors I’ve met these past 10 years (since my first book came out) cling to a strong desire to one day quit their day job and “write fulltime.”

According to these stubborn facts, my writer friends should let that desire go…completely. If they would, they would be so much happier. Treat it like that old hippie saying: “If you love something, let it go. If it was meant to be, it will come back to you.”

When my first novel came out in 2009, I don’t how many times people asked me: “So, when are you going to buy that yacht?” My answer was: “I actually only made enough to remodel our kitchen…and that’s with us doing most of the work.” Where do people get this notion that being a published author means you’ve hit the big time and money will start rolling in?

You know the answer. They get it from Hollywood (and the Hallmark channel). For some ridiculous reason, whenever authors are portrayed in TV or film—even if they just have 1 or 2 books published—they get filthy rich (like the TV character Castle). They’ve got the yacht, the beautiful lakeside cabin to write in, drive the best cars. And when they do a book signing, the line of interested readers goes out the door.

Based on the facts I’ve seen, that image only represents about 1% of published authors. And only about 5% earn enough to write full-time (and remember, the median income for these authors is below the Federal poverty line).

So, stop beating yourself up for your lack of success. Stop craving something that, most likely, will never happen. Write for the love of writing. Write for the joy of storytelling. If your books make even $3,000 a year, throw a party. Invite your friends. Of course, if you do, some of them will inevitably ask, “So, when are you going to buy that yacht?”

I have 21 novels out now. I’ve been fortunate enough to write full-time and actually make a semi-decent living.

I am however, still waiting on that yacht.
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Dan Walsh is the bestselling author of 21 novels (all available on Amazon), including The Unfinished Gift, Rescuing Finley, When Night Comes and The Reunion (now being made into a feature film). Over 750,000 of his books are in print or downloaded. He's won both the Carol and Selah Awards multiple times, 4 of his novels have been finalists for RT Reviews Inspirational Novel of the Year. Reviewers often remark about Dan's rich, character-driven storylines and page-turning suspense (even with his more inspirational books). He's been writing full-time since 2010. He and his wife Cindi have been married 42 years, have 2 grown children and 4 grandchildren. They live in the Daytona Beach area, where Dan grew up. You can follow him on Facebook or Twitter, read his blog, or preview all his books by visiting his website at http://www.danwalshbooks.com Dan’s books: If These Walls Could Talk - DAN'S NEWEST NOVEL, When Night Comes, Remembering Dresden, Unintended Consequences,  Perilous Treasure,  Rescuing Finley, Finding Riley Saving Parker and  The Deepest Waters (2nd Ed)


January 20, 2020

I’ve Gotta Be Me, She Said, Part 2



By Dan Walsh


Last month, I began talking about how vitally important it is when we write to spend as much time, if not more, creating characters readers really care about, than it is spending time on things like crafting the story itself (did you catch the phrase “if not more”? I believe it matters more). If our characters are boring, shallow and/or totally unlikable for the reader, the book will flop (no matter how good the story is).

I ended talking about one of the big problems authors have creating these kinds of solid characters. Many writers THEMSELVES (in real life) are not solid, interesting, compelling and/or fun-to-be-with people. So, if you’re not that kind of person in real life, how can you create characters like that in your books?

January 17, 2020

I’ve Gotta Be Me, She Said



By Dan Walsh


My 21 novels have thus far garnered over 7,200 Amazon Reviews (Avg 4.6 Stars) and over 18,000 Ratings on GoodReads. The most consistent comment readers make (and my most favorite) goes something like, Once I started reading the book, I couldn’t put it down.” They don’t just say this on my suspense novels but even the more romantic stories. Even with my Christmas novels.

But this month,

November 8, 2019

Why The Book is Always Better- Part 1



By Dan Walsh


If you follow me on FB or Twitter, you might already know…one of my Bucket List items is likely going to happen, likely in the 2nd half of 2019. That is, one of my novels is being made into a feature film (The Reunion). It’s been in the works for 2 years, but after chatting recently with Nick Vallelonga, the writer/director who’s adapted the book into a screenplay, some very big name actors and investors are already interested and reading the script. They’re hoping to have the casting and all the pre-production tasks completed by the end of this summer, then start shooting in the Fall.

We’ll see. I sure hope that’s how it goes from here.

In any case, I couldn’t be happier with the guy who wrote the script. You may have heard of him, Nick Vallelonga. In 2018, Nick won 2 Golden Globes and 2 Oscars for Best Original Screenplay for his movie, Green Book (it also won in the Best Picture category - here’s a pic of Nick holding his 2 Oscars).

Clearly, my book is in good hands. And Nick and I have become good friends. He’s kept the script as true to the book as possible, including the faith elements. Even with all that said, I’m pretty sure after the film is made (and hopefully becomes a smash hit), people who’ve read my book and also see the film will undoubtedly say, “The movie was good, but the book was better.”

Why do I say that? Because that’s what everyone always says about a book-turned-into-a-movie. “The Book was better.” A couple of years ago, I was speaking at a charter school to a middle-school group of honor students. It was a creative writing class, and all the kids said they wanted to be writers when they grew up.

Knowing most writers are avid readers, I asked how many of them liked to read novels. Every hand went up. I said, “Name some books you’ve read that were turned into movies.” Everyone began calling out popular movie names, lots of examples were shared. Then I asked, “Keep your hand up if you liked any of the movies better than the books?”

Every hand went down.

I asked it another way, “Did any of you like any of the movies better than any of the books? Raise your hand.” No one did. So, then we talked about why this is so. That’s what I want to talk about with you, this month and next month. Why the book is almost always better than the movie.

See, having worked fairly closely with Nick (and several other movie creative types) in the last few years, I’ve learned a little bit about that world and some of the unique storytelling challenges they face.  The first one I want to address goes directly to the reason the book is always better.

Turns out, most movie scripts are only between 100-120 pages long. The rule of thumb is, 1 page of script per minute of film (so, a 2-hour movie script would only be around 120 pages long). You can see the challenge right away. Most full-length novels average 300 pages, or more. The Reunion is just a few pages shy of 300.

Talking with Nick, that was his biggest challenge adapting it into a screenplay. Nick absolutely loved the book, as is. As novels go, he thought it was perfect and wouldn’t change a thing. But, there’s the rub. Even as a 2-hour movie, he had to cut out almost 2/3 of the book to get the story to fit the time constraint.

Of course, you can shave a few pages because you don’t have to describe very much in the script. One pan of the camera, and you set the scene. But that only takes out a little (especially in my books, I’m definitely a minimalist when it comes to descriptive paragraphs).

But see, this kind of challenge happens every time a novel is made into a movie. Can you imagine completing your full-length novel then having an editor hand it back to you saying, “Okay, we like it, but we need you to delete 200 pages, but still keep the best parts of the story intact.”

There are other reasons why I believe people always like the book better (we’ll talk about some next time). But this one alone has given me a new depth of sympathy and appreciation for screenwriters who try and tackle such a seemingly insurmountable storytelling challenge as this.
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Dan Walsh is the bestselling author of 21 novels (all available on Amazon), including The Unfinished Gift, Rescuing Finley, When Night Comes and The Reunion (now being made into a feature film). Over 750,000 of his books are in print or downloaded. He's won both the Carol and Selah Awards multiple times, 4 of his novels have been finalists for RT Reviews Inspirational Novel of the Year. Reviewers often remark about Dan's rich, character-driven storylines and page-turning suspense (even with his more inspirational books). He's been writing full-time since 2010. He and his wife Cindi have been married 42 years, have 2 grown children and 4 grandchildren. They live in the Daytona Beach area, where Dan grew up. You can follow him on Facebook or Twitter, read his blog, or preview all his books by visiting his website at http://www.danwalshbooks.com Dan’s books: If These Walls Could Talk - DAN'S NEWEST NOVEL, When Night Comes, Remembering Dresden, Unintended Consequences,  Perilous Treasure,  Rescuing Finley, Finding Riley Saving Parker and  The Deepest Waters (2nd Ed)