Writing Assignments from a Fiction Book

By Annette Cole Mastron, Communications Director for Southern Writers Magazine

Over the summer, I read two different books. Each book had a unique style in telling a story. Last month, I discussed the style of Megan Miranda’s book, “All the Missing Girls.” At this link you can see my blog post titled, Writing Backwards.

Today, I’ll focus on Susan Breen's novel, The Fiction Class, a book that kept my attention from beginning to end. This book interweaves the challenges of writing, and teaching writing, interspersed with the challenges of the protagonist’s ever-changing life and a touch of romance and sadness. These life changes were believable and identifiable by any reader.

The author, according to her website, “teaches creative writing at Gotham Writers in Manhattan and is a faculty member at New York Pitch Conference and New York Writers Workshop.” She knows a thing or two about the exercise of writing. Each of her chapters gives a glimpse into the writing class and ends in a writing assignments. These assignments are excellent writing prompts for all authors. You will find nuggets of “how to” tips sprinkled throughout this book as the protagonist teaches her students.

It gave me the idea for a blog that leaves our 

readers with a “writing assignment.”

Author of The House on Mango Street, Sandra Cisneros said, "Writers always live their lives facing backwards, [considering] things we said or could have said, or things we wish we could take back. The work we do is precisely about trying to clean up the mess we made, the kind of emotional footprints we leave behind, or the mess we inherit."

Okay, so here’s your “writing assignment.” 

Choose a particular moment in your life and write a do over. How would it be different? What are the far-reaching consequences of your do over? Ready, set, go.

Writing Backwards?

By Annette Cole Mastron, Communications Director for Southern Writers Magazine

Over the summer, I read two different books that had a unique style in telling a story. Today, I’m going to discuss the style of Megan Miranda’s book, All the Missing Girls. My daughter actually recommended the book after she spent three days  on the beach reading it from cover to cover. I figured it must be good. I had no idea it would have a plot structure and style unlike any I've seen used before in a psychological thriller.

The beginning quote in part one sets the stage. “Life must be understood backward but lived forward.” -Soren Kierkegaard.

With that quote, a unique tale unfolds. The first part of the story is a present day set up. 

The book’s second part, opens with another quote by Soren Kierkegaard. “It is quite true what philosophy says; that life must be understood backwards.” Then the reader turns the page and discovers that Miranda tells the story from Day 15 backwards. The next chapter is Day 14. Chapter by chapter...consider it a countdown to the book’s part three, the conclusion. I know what you’re thinking, "Annette, that’s so confusing." Well some of the reviews I read said that they were confused and didn’t enjoy it because it was so different. It was a real risk, but my daughter and I loved it.

As a writer, it was so intriguing. Telling a story backward comes with some concerns. A reader who enjoys solving a mystery via clues may not like this plot structure. It is a very different way to tell a story since it goes against the linear grain.

The plot structure is known as reverse chronology. It is a fairly rare plot structure. What we know as writers and readers is that most books are chronological versus reverse chronological. Using reverse chronological the plot is heightened. It starts at a higher point with an unexpected event. There is no real establishment of the protagonist which could be a clue in and of itself. You won’t know until the last page. There aren’t the normal character introductions. The character is revealed within the action of the story. It’s not about solving a mystery in order of events, involving the well-placed clues with a logic to the conclusion. In the genre, of psychological thrillers it’s a brilliant plot strategy that adds to the plot.

Deep South magazine interviewed author, Megan Miranda who revealed a tip about writing in reverse, “I kept lists for each day,” she explains, “so there was a list of what the narrator knew and also what the reader knew, and my goal was to sort of walk that line and stay true to both.”

As a "seat of the pants" pantser writer, I’d actually need to plot with the use of an outline if I chose to write in reverse. Did you just break out in a cold sweat? I did. Would you ever write in reverse? Have you ever tried writing in reverse?