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Showing posts with label Heart of Abigail: A Lyric Novella of Juneau. Show all posts
Showing posts with label Heart of Abigail: A Lyric Novella of Juneau. Show all posts

July 23, 2018

THE CURSE OF YOUR FAVORITE WORDS



By Rich Ritter: The New Voice of the American West


After completion of the second draft of my first novel, I invited seven people to find errors and suggest revisions. I have never employed this technique again—which is a discussion for a future post—but one of the readers did make an important discovery. When she handed the three-ring binder back to me, I said, “Thank you. Did you remember to mark any errors or suggestions with a red pen?”

She politely answered, “I did.” Then, after an uncomfortable pause, she added, “You sure like to use certain words an awful lot.”

Confused, I asked, “What do you mean by certain words?”

She glanced down at her sandals. “You used the words ‘shimmering’ and ‘thumped’ a gazillion times. After a while I made a game of it and started counting them.”

Instantly flummoxed, I stuttered, “A game…of it? Did…did you…you mark them with a red pen?”
She peered straight into my eyes. “No, I just counted them…a—” I interrupted, “Yeah, I know. A gazillion times.”

I thanked her again and began the ten-minute drive home. As I crossed the bridge and headed into the roundabout, I tried to remember when I had used these particular words. I could think of a few examples, but certainly not a gazillion. She had to be exaggerating. After parking the car, I hurried into the house and began an inspection of the manuscript. I stopped on page three and thought to myself: There’s no way I’m going to read over 130,000 words looking for “thumped” and “shimmering.” I slumped into my chair, dejected and nearly beaten. Then, after a moment of abject panic, an epiphany emerged from somewhere inside my addled brain.

I turned on the computer, clicked on the file for my novel, and quickly found what I was looking for: a copy I had saved in PDF format. I opened the file, pulled down the “Edit” window, and clicked on “Advanced Search.” I carefully typed in “thumped,” checked the box for “Whole words only,” and, with my hand shaking a bit, hit “Search.” Within moments, a long list— actually a very long list—appeared with every instance of the word, including a portion of the sentence for easy reference. I read the list, which took a while, and concluded that she was right: I had used the darn word a gazillion times. The results were even more frightening for “shimmering.”


Over the next week, with the assistance of my dog-eared copy of Rodale’s Synonym Finder, I reduced the occurrences of “thumped” from a gazillion to around seven. My treatment of “shimmering” was a different story. Because I loved this word so much, I ended up using it only twice—both times in the climatic paragraph of the novel, in the evocative phrase “shimmering paladin.” This may sound extreme to you, but I’ve never regretted my decision.
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Rich Ritter is the son of a father who worked in the aerospace industry and a mother who taught first grade. Born in the Midwest during the Korean War, his family moved to California before he began the first grade. He attended second grade through high school in Anaheim, and then California Polytechnic State University in San Luis Obispo. He completed his thesis year in Denmark, and while there met Kristine from Alaska—in the balcony of the Royal Danish Ballet during a performance of Prokofiev’s Romeo and Juliet. He moved to Alaska and married Kris a few years later. The author and his wife have two sons. Book titles: Toil Under the Sun: A Novel, Heart of Abigail: A Lyric Novella of Juneau, Douglas and Treadwell, Nor Things To Come: A Trilogy of the American West, Book One: The Perilous Journey Begins, Book Two: Gathering of the Clans, Book Three should be available in 6 months (or thereabouts). His social Media links:http://richritterbooks.com/



May 21, 2018

A Detailed Story Outline is Key



By Rich Ritter: The New Voice of the American West


I know what you’re thinking: “Why do I care about something as tedious as a story outline?” I understand. I’ve spoken with several authors who began a novel with only a minimal outline or (in one case) none at all. This approach may work for some, but I feel compelled to prepare a detailed story outline—likely because I am pathologically analytical. Recently, I heard a celebrity brag that it took over three months to write his book. I find this statement quite amusing because this is typically the length of time I require to write the outline. With this in mind, here are my suggested components of a detailed story outline:

1)       Book Titles. The first title that pops into your mind is usually not the best. Write it down anyway. And don’t stop there: record all potential titles, especially when they come to you in the bathroom.
2)      List of Characters. You have probably already imagined a number of characters. Write these down too, including when they were born, place of birth, interesting life experiences, psychological traits (especially pathologies), and anything else you can think of. Organize by primary and secondary.
3)      Chapters and Titles. I know this sounds painful, but you don’t have to come up with the entire Table of Contents in one sitting. List as many as you can, then give it a rest. If you keep thinking about it over the next few weeks, the chapters will automatically present themselves as your subconscious works it out while you’re asleep.
4)      The First Sentence of Every Chapter. At this point, you’re probably saying, “You’ve got to be kidding!” Well, I’m not. Just write out the sentences. Revise or replace them later.
5)      Outline of Each Chapter. This is why it takes months to prepare a detailed story outline (unless you’re a celebrity). If you can’t outline the chapters now, then you certainly can’t write them later.
6)      Research Notes. Mark Twain said, “The only difference between reality and fiction is that fiction needs to be credible.” Since I write edgy historical fiction, I always keep this in mind. Record any historical information relevant to your story, including sources. Insert links to Internet websites, articles, or news stories that will improve the authenticity of your writing. If you collect printed materials, organize for easy retrieval.
7)      Historical Photographs. I’ve used a single photograph to inspire a protagonist, an important event, or an entire chapter. Employ your favorite search engine to find photographs pertinent to your genre and story. Save with descriptive file names in a separate folder for each chapter. Make it a game and collect photos by the hundreds.

I encourage you to prepare the story outline in a series of increasingly improved drafts until you are deeply satisfied with your effort. When you finally begin that masterpiece, you will find that it nearly writes itself!
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Rich Ritter is the son of a father who worked in the aerospace industry and a mother who taught first grade. Born in the Midwest during the Korean War, his family moved to California before he began the first grade. He attended second grade through high school in Anaheim, and then California Polytechnic State University in San Luis Obispo. He completed his thesis year in Denmark, and while there met Kristine from Alaska—in the balcony of the Royal Danish Ballet during a performance of Prokofiev’s Romeo and Juliet. He moved to Alaska and married Kris a few years later. The author and his wife have two sons. Book titles: Toil Under the Sun: A Novel, Heart of Abigail: A Lyric Novella of Juneau, Douglas and Treadwell, Nor Things To Come: A Trilogy of the American West, Book One: The Perilous Journey Begins, Book Two: Gathering of the Clans, Book Three should be available in 6 months (or thereabouts). His social Media links: http://richritterbooks.com/  --   http://rphillipritter.blogspot.com/  --https://authormasterminds.com/rich-ritter  --   https://www.facebook.com/Rich-Ritter-The-New-Voice-of-the-American-West-162253087166472/?ref=bookmarks  --   https://www.linkedin.com/in/rich-ritter-281582124/