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Showing posts with label support. Show all posts
Showing posts with label support. Show all posts

July 16, 2012

Authors Helping Authors: Sell Books for Steve Day



by Jeffrey "Hammerhead" Philips 

(For the last couple of weeks, Suite T has been sharing different ways in which Southern Writers Magazine is dedicated to helping authors. Today we're proud to spotlight a special group of authors who also believe in supporting a very good cause. Here's guest blogger Jeffrey "Hammerhead" Philips:

It started with a simple request.
Non-fiction author Steven Kerry Brown, my friend and fellow blogger at www.handcuffedtotheocean.com, has been fighting Leukemia for two years. A few weeks ago, he asked if I would send an e-mail out to the Mystery Writers of America (MWA), Florida chapter. He wanted to notify his fellow members that his chemo was no longer effective, and that he had decided to enter Shands Cancer Hospital for a Bone Marrow Transplant (BMT).  

That was the bad news. Almost as discouraging, however, was the fact that the cost of the program would exceed $500,000.00, all of which would be coming out of Steve’s own pocket, as he no longer had health insurance. And so, reluctantly, Steve decided he needed to ask for help. He set up an online fund seeking donations to help offset some of that treatment cost and asked me to spread the word in hopes that some of his fellow writers might be able to spare a few dollars.
The e-mail was sent. The next Saturday was the monthly MWA meeting, and our chapter president, Neil Plakcy, asked if I would say a few words about Steve’s condition. I was grateful for the opportunity. After my announcement, many members stood and said how helpful they found Steve’s book, “The Complete Idiot’s Guide to Private Investigating”, and how Steve (himself a well-known private investigator) had helped them with P.I. characters in their books. Many members were glad to donate to his fund, and several wanted to do even more. This is one fantastic group of people.
The next week I received e-mails from fellow writers asking the same question: how else can we help Steve? With the assistance of Neil and another MWA Florida board member, Diane Stuckart, an idea formed. What do authors like to do the most? Sell their books. And so we decided upon a one-day event where participating authors agreed to donate a portion of the proceeds of their sales of a particular title to Steve’s fund. It would be called “Sell Books for Steve Day”. But, who would spearhead this endeavor? Of course, I said I would.
Step one was to find authors willing to take part and give up their hard-won royalties for the cause. A request was sent to our MWA chapter’s authors. Many of whom, in turn, sent word about the event to other organizations.
In the next few days, fifteen generous authors from the MWA and Romance Writers of America volunteered for the event scheduled for Monday, July 16th. WOW, I love these people.
The next steps quickly fell into place. Book covers and story blurbs were collected, links to Amazon were created. The blog “Handcuffed” was updated with information about the event. Everyone announced the event on the social media networks and Tweets were sent. The love was felt. Steve is at a loss of words for his gratitude. And now, we’re waiting to see just how successful our efforts will prove to be.
Yes, sometimes a simple request grows into something more profound. Steve’s appeal sent me down a road where I found any number of people willing to help, wanting to do more. It does my heart good knowing so many are helping.
I want to thank Southern Writers Magazine for space and willingness to help this cause. I’m asking its readers to go to www.handcuffedtotheocean.com today, July 16th and review all the fine books (and in my opinion, the best authors in the world) being offered to raise money for Steve. Buy one, or two, or all fifteen knowing that a portion of your purchase (in some cases, up to 100%!) will go directly to Steve’s fund.

But remember, to count for this event, your purchase must be made today, July16. You also can donate directly to the BMT transplant fund any time you like at www.handcuffedtotheocean.com, where Steve is blogging about his treatment and progress. And even if you can’t buy a book or make a donation, spreading the word about this event will help Steve out as well.
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Jeffrey “Hammerhead” Philips strapped on a scuba cylinder (when Clorox bottles were BCD’s) for the first time in 1967. He dove for two years, decided he liked the water and obtained his scuba certification from NASDS, then became a PADI instructor. He hasn’t stopped diving since. In 1980 he married the prettiest mermaid in the ocean, Kitty. Today, he lives in West Palm Beach, Florida, writing fictionalized events of his travels.

   

May 22, 2012

Lessons from the Feud


by Gary Fearon, Creative Director


Call it mindless entertainment, a cheap thrill, or just a way to kill 30 minutes but I'll admit I'm one of those who'll stop on the Game Show Network if Family Feud is in the middle of Fast Money. I've got to stick around and see if my answers are better than those of the contestants, and of course they are, unfettered as I am by no lights, cameras, or pressure.

But my real motives are far more academic than just a momentary ego boost, as there is much to be learned about our craft of writing when we look into some of the psychology of Family Feud. Starting with one of the most oft-repeated principles in writing circles:

SHOW, DON'T TELL

Back in the days of Richard Dawson, there was a lot of non-game gab. In fact, the show was fairly insufferable for the first few minutes as he interviewed each individual contestant, asking where they're from, what they do for a living, how many pets they have, everything short of who they were in a past life. Doing so was fairly standard game show patter, and I blame it all on Groucho, who started the whole business of interrogating contestants to get them to say the secret word on You Bet Your Life.

But that's not the case in this 21st century, as today's audiences won't sit still for long. We're used to MTV music videos, jump cuts, and getting right down to business. We're here for the main course, so show us the money. As writers we likewise needn't spell out every single laborious detail for the reader. Rather than have a character tell them that he's spent the last ten years hating his job as an accountant, show him at work, sweating over a ledger and being forced to work late by a demanding boss.  They'll get it.

HOW MANY HOSTS?

Take a guess. How many different hosts has the Feud had over the years? There's Richard Dawson, of course. It's easy to forget Ray Combs and Louie Anderson, as they don't seem to show up in reruns. My personal favorites, Richard Karn and John O'Hurley came next, and now they have Steve Harvey. That's six distinctly unique personalities with whom the show has always worked, because the time-tested formula remained popular and was never dramatically tampered with. We aren't there for the host as much as the game itself, or the plot, if you will.

As we've discussed before, a good plot can be retold again and again under different disguises. West Side Story was Romeo and Juliet, complete with balcony scene. Give a proven story a facelift and the audience loves the combination of freshness and familiarity.

GOOD ANSWER!

"Name a food item that goes bad if it's not refrigerated."
"Umm..."
"Three seconds."
"An apple!"

What in the world was this question?
You have to feel some empathy for the family members, who, after their inlaw gives a woefully pathetic response, still muster the ability to clap and say "Good answer!" You can even hear the weak commitment level in their voice. Yet they support their teammate, why? Because friends don't let friends go down in flames on national television.

The lesson to be learned here is that when we're writing, we are not on national television, so those rules don't apply. Rather than seek (or give) false praise over a less than awesome manuscript, the situation calls for genuine feedback from a trusted source that won't just say what feels good. Whether it's our critique partner, spouse, agent, or editor, it's everyone's responsibility to help one another make our writing the absolute best it can be.

The world of literature will be better for it, and maybe people will spend more time reading (instead of watching silly game shows).