The Long and the Short of It

by Gary Fearon, Creative Director, Southern Writers Magazine


At a Southern Writers authors event a couple of weeks ago I had the pleasure of speaking with several novelists about their approaches to writing (you'll read about many of them in upcoming issues of Southern Writers).  When I spoke with one author in particular who writes both novels and short stories, I sought his perspectives on writing for the two different formats.

When I learned that his first step in creating his novels was to create a detailed outline, I asked if he plots out his short stories as well. "No," he replied with instant enthusiasm.  Short stories, he explained, are his opportunity to run free. When he begins a novel, he knows how it will end before the opening scene.  For a short story, he lets his characters take him wherever they want to go.

At first glance, one might think the short story would be the one warranting advance planning, since the novel by its sheer length could afford to let its characters wander off course a bit.  I'm even reminded of Abraham Lincoln's famed reply when asked to give an impromptu speech: 

"If I am to speak for ten minutes, I need a week for preparation; if an hour, I am ready now."

However, the short story—unlike the novel—isn't required to conform to the traditional three-act format we expect from a novel.  The hero's journey as explained by Aristotle, Joseph Campbell, Christopher Vogler and others will probably always have some influence on long-form stories, but the short story can afford to carve its own path. A simple contemplation of a single theme? A beginning-to-end chronicle? The sky's the limit with a short story.

By the same token, there are authors who outline their short stories while letting their novel characters cast their own fates to the wind.  Indeed, going back and forth between the two approaches (outlining versus not) seems like an excellent way to exercise both sides of a creative brain.

There are many good books to help take the guesswork out of outlining, such as K.M. Weiland's Structuring Your Novel, and even if flying by the seat of your pants is your preferred writing method, it's good to know the rules so you can break them with confidence.

Whatever your chosen approach, we invite you to forge a potentially new path by entering Southern Writers' 4th annual Short Story Fiction contest.  By popular demand, we've doubled the 1200-word limit and you can now let your imagination run wild up to 2500 words. The deadline is August 1st, 2015.

Visit http://www.southernwritersmagazine.com/shorts for all the details, and good luck!  With a $500 grand prize, there's never been a better time to get short with us.

Forget Genre: Do You Know What Kind of Story You Want to Write?

By K. M. Weiland

When someone asks you what kind of story you’re writing, your answer is probably based on your book’s genre. Romance. Mystery. Fantasy. But genre is barely going to scratch the surface of your story.

Let’s say you want to write a fantasy. But fantasyland is a mighty big place. Just what roads within that genre do you want your story to travel? Epic fantasy, portal fantasy, steampunk, space opera, paranormal?

Once you’ve narrowed your vision for your story to a specific subgenre (let’s say you’ve chosen steampunk) you will have a better idea of what your story is really about and what genre strictures will guide its creation. But you’re still not finished. You still have to figure out what kind of story you want to write.

The answer to this question will influence every moment of your writing experience. It will determine the tone of your story. It will guide your characters’ arcs. It will affect theme, setting, even the color palette you use in your descriptions.

Earlier this year, when I sat down to write my latest work-in-progress Storming, I knew it would technically be fantasy. More than that, I knew it would have some kind of steampunk vibe (which I ended up narrowing down to dieselpunk). But, just as important as either of those decisions, I also knew what kind of story I wanted it to be: a fun, summer blockbuster kind of adventure romp.

I could easily have maintained my genre choices and still written an entirely different book—if I had decided to write a different kind of story. Before you sit down to write your first chapter, take a moment to look beyond genre. What type of story do you want this to be? Fun, light, happy? Dark, tragic, thought provoking? Consider books and movies that have the same kind of feel you’d like to recreate. What kind of stories are they?

Once you’ve narrowed down your storytelling vision to a specific kind of story, you’re ready to start shaping that story into a cohesive and resonant first draft.

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K.M. Weiland is the author of the epic fantasy Dreamlander, the historical western A Man Called Outlaw and the medieval epic Behold the Dawn. She enjoys mentoring other authors through her website Helping Writers Become Authors, her books Outlining Your Novel and Structuring Your Novel, and her instructional CD Conquering Writer’s Block and Summoning Inspiration. She makes her home in western Nebraska.