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Showing posts with label Nancy J. Cohen. Show all posts
Showing posts with label Nancy J. Cohen. Show all posts

July 21, 2020

Facials Can Be Fatal – The Story Behind the Story



Nancy Cohen



When we plot a mystery, we have to figure out the Howdunit for the crime. In a cozy, this means an off-scene murder or at least not a gory one. These are “clean” books in more ways than one with no graphic sex or violence or bad language. Sometimes it can be difficult to determine how the victim was killed. I ran into this problem when planning Facials Can Be Fatal.

The Setup

Facials Can Be Fatal is book #13 in The Bad Hair Day Mysteries. Prior to this story, hairstylist Marla Shore had married Detective Dalton Vail and moved with him and his daughter into a new neighborhood. They went on a honeymoon to an Arizona dude ranch, and now it’s time for them to settle down. Marla goes back to work at her salon. She has just opened an adjacent day spa when the unthinkable happens. A client is found dead while getting a facial.

I’ll admit that I had the title before the story. Now I had to fit one to the other. Let’s look at all the possibilities I’d considered in determining Howdunit. Obviously, we’re dealing with a fatal facial. So how can this happen?

December 23, 2019

Fitting Food into your Fiction



By Nancy J. Cohen


Culinary themes are popular in genre fiction. Witness the many mystery or romance novels where the protagonist is a baker, chef, or caterer. Scenes often take place in coffee shops, restaurants, or kitchens because people socialize around meals. Your romantic couple gets to know each other over dinner, or your sleuth subtly questions a suspect over a slice of pie at the diner. Apparently, readers never tire of these tropes. So how can you work food into your story without it being the central theme or main character’s occupation?

1. Set scenes between family members or friends in the kitchen. Have them chat while preparing a meal, gathering items for a holiday feast, or setting out a cup of coffee and a piece of Aunt Marie’s famous peach cobbler.

2. Weave memories into your protagonist’s mind that center around food and provide backstory at the same time. For example, passing by a food market brings the scent of cinnamon to the air. The heroine reminisces about how her sister loved to buy those cinnamon-scented brooms for Christmas. Her house smelled like cinnamon, too, when she baked her apple crumb cake. Sadly, the last time they were together… well, you get the idea.

3. For a fun variation, switch up our gender expectations. Make the man the gourmet cook and the woman a klutz in the kitchen. Perhaps to win his heart, she attempts to make his favorite dish even though she knows she’ll probably fail. But love is worth the risk, yes? Or maybe your serial killer in a thriller enjoys making pumpkin pancakes. Challenge us with the unexpected.

4. Make your reader’s mouth water with your food descriptions. If you describe the heroine melting a square of semisweet chocolate in a small pot, I’ll bet many of us can almost taste that chocolate on our tongues. Or maybe she’s assembling dinner and frying onions. Familiar actions involving food will elicit a desired response. Appeal to the five senses and remember that smell plays a large role in taste.

5. Give your characters food quirks. Maybe when nervous, the best friend chews on a stick of red licorice. Or your heroine fumbles for a mint in her purse when she’s unsure of herself. The hero loves beef jerky, which makes his non-meat eating girlfriend wrinkle her nose. Also, how do certain foods showcase your character’s heritage? Perhaps your heroine likes a cool bowl of borscht on a hot summer day because her grandmother from Russia used to serve it. Or she grew up in an Italian family, and pasta is her go-to dish of choice.

6. Regional foods can enhance your setting. What special foods are popular in the community where you’ve set the story? In the deep South, for example, grits are a common staple on the breakfast menu. Or gator bites might be offered as a dinner appetizer. Use food to flavor your story with items distinctive to the locale.

7. Add recipes of dishes you’ve mentioned in the story as bonus material in the back of your book. Readers love recipes, and they’ll keep your book in mind when they make one of yours.

Social occasions very often revolve around food. By paying attention to this aspect of our lives, you can spice up your novel with memorable sensory experiences.
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Nancy J. Cohen writes The Bad Hair Day Mysteries featuring South Florida hairstylist Marla Vail. Titles in this series have been named Best Cozy Mystery by Suspense Magazine, won a Readers' Favorite gold medal, placed first in the Chanticleer International Book Awards and third in the Arizona Literary Awards. Nancy’s instructional guide, Writing the Cozy Mystery, was nominated for an Agatha Award, earned first place in the Royal Palm Literary Awards and won a gold medal at the President’s Book Awards. When not busy writing, Nancy enjoys cooking, fine dining, cruising, visiting Disney World, and shopping. Social Media links: Website:  https://nancyjcohen.com Blog: https://nancyjcohen.com/blog Facebook: https://www.facebook.com/NancyJCohenAuthor  


September 16, 2015

On-Site Writing Research Tips




On-site research can be a blast. While on location for a story, you can discover obscure histories, anecdotes, and locales that weren’t initially in your storyline. These insights can inspire new directions in your plot as well as unexpected characters. Don’t be too discerning at this point. 

Write down everything. Later, you can pick and choose which material to use for your novel.

·       Interview people at the locations represented in your story. Have these folks talk about the place’s history, why they live there, how this area differs from others, what are its peculiarities, slang the locals use, where people hang out, what they eat and drink.
·       Go on tours and jot down what the tour guide says.
·       Note the sensory details so later you can make the scene come alive for your readers. What gives this place its unique quality? How does the air feel on your skin? When you close your eyes, what do you hear? What can you taste on your tongue? Does it have an emotional resonance? What smells hit your nose as you stroll along the street?
·       Pick up tourist brochures, maps, restaurant menus, guidebooks, and any other printed material about the area.
·       Visit a bookstore and look for sightseeing guides, local history and legends, regional cookbooks, haunted places in the area, and local authors. If you have a scene set in a particular spot, see what you can find on it. For example, I bought books on copper mining and the life of a miner when in Arizona researching Peril by Ponytail. Copper mines play a role in my story. We also toured the Bisbee Queen Copper Mine in person.
·       Take photos everywhere, even down to architectural details. Photograph houses where your characters might live, restaurants where they might go, street scenes with details like power lines strung overhead and cracked pavement. Note the foliage and wildlife.

On our trip to Arizona, I already knew the places we had to visit for Peril by Ponytail, but so many other sites begged to be explored. We drove from Scottsdale to Jerome where we stayed overnight at the haunted Jerome Hotel and took the ghost tour. From there, we visited Sedona, scouted out a New Age center, and took a jolting jeep ride into the hills. Then we headed toward Tucson, taking a caverns tour along the way and spending a day at Bisbee exploring the copper mine and seeing the historic town.

We visited museums and ghost towns, including famous Tombstone. But most importantly, we stayed on a dude ranch. In Peril by Ponytail, Marla and her husband Dalton honeymoon at an Arizona dude ranch owned by his uncle. Things take a bad turn when a forest ranger is found dead. The Tanque Verde Ranch was perfect as a model for my fictional location. Hopefully I’ve recreated every mesquite tree, saguaro cactus, and abandoned wagon wheel in my story.

It wasn’t possible to fit all of my wonderful experiences into one book. I might have to set another story in this state. The adventures I did use took me back down memory lane for one of our best trips ever. Pick a place you’ve wanted to visit, and it becomes a fabulous vacation as well a working trip. But go with your writer’s eye, looking for details, and recording those sensory impressions, like the desert dryness irritating your nostrils or making your hair stand out from static. These are things you can learn only from being in a place. So determine where you need to go and book that trip.
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Nancy J. Cohen writes the humorous Bad Hair Day mystery series featuring hairdresser Marla Shore, who solves crimes with wit and style under the sultry Florida sun. Her latest adventure, Peril by Ponytail releases, today. Several of these titles have made the IMBA bestseller list. Nancy is also the author of Writing the Cozy Mystery, a valuable instructional guide on how to write a winning whodunit. Her imaginative romances have proven popular with fans as well. She writes the Drift Lords series, featuring myth and magic in a modern day setting, for Wild Rose Press. A featured speaker at libraries, conferences, and community events, Nancy is listed in Contemporary Authors, Poets & Writers, and Who's Who in U.S. Writers, Editors, & Poets. When not busy writing, she enjoys fine dining, theme parks, cruising, and outlet shopping.
Booklover’s Bench: http://bookloversbench.com