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Showing posts with label Julie Lessman. Show all posts
Showing posts with label Julie Lessman. Show all posts

June 21, 2019

But….I Don’t Write Christian Fiction!



By Pamela S. Thibodeaux


When asked to do this post for Suite T and teach, or explain, how I write my ‘Christian’ novels and grab a reader’s attention “without decreasing the message,” I had to stop and think a while, and I must confess….

I don’t write Christian fiction.

Years ago I wrote an article titled, “Is it Christian or is it Inspirational?” in which I detailed some of the major differences in the two. I’ll recap here…

Christian novels (mostly) adhere to strict guidelines such as:

The heroine never appears outside her bedroom in her nightgown.

The h/h do not spend the night (or week or time) in a house alone.

The h/h do not curse or use euphemisms such as heck, darn, etc. and the use of God or Jesus except in a prayer is unacceptable.

Premarital sex is a big No-No! as is divorce, water & spiritual baptism, women preachers, etc. 

Mentioning a specific religion is frowned upon because CF wants to reach readers across dominations.

Newsflash: So Do Writers of Inspirational Fiction!
Inspirational novels may incorporate some of these rules OR the opposite of some, but still stay within Biblical guidelines.

For Example: The heroes in my Tempered series may curse (not all the time and no F bombs!); fight, and/or have a sensual encounter, but there is no premarital sex and there is usually a lesson learned from the encounter. In Lori’s Redemption the bull-rider turned preacher gets in an actual fist fight – then spends days in prayer and repentance and delivers one of his best sermons ever afterward.

These are a couple of examples from my own work and the reason my writing has been tagged as, “Inspirational with an Edge!” ™

Other authors have written the ‘edgy’ style also. Julie Lessman’s writing is known as Edgy Christian Fiction. Julie, whose tagline is “Passion with a Purpose” pushes the envelope in some ways but still remains within Biblical guidelines in a way traditional CBA publishers and fans adore.

One publisher I spoke with when pitching my work years ago said they would accept a certain degree of ‘edginess’ in Historical but not contemporary.

HUH?

As if the things that take place in a Historical novel don’t take place (and even more so!) in contemporary times.

Alas, I’ve come to the conclusion years ago that, although I love God/Christ with all my heart, I’m not called to write ‘Christian’ but Inspirational books. Books that are (per reviewers) “steamier and grittier” and have “the most realistic characters read in an inspirational novel.”

So what would I say to writers who want to write Christian (edgy or not) or Inspirational?

Stay true to YOUR voice and YOUR calling. If you want to write and be published in the Christian market, don’t push the boundaries too much and be willing to rewrite/revise if you’re asked to. Think outside the box when submitting. Publishing is constantly changing, guidelines aren’t black and white anymore. There are shades of gray (no pun intended LOL!) and they get blurrier all the time. 

Consider pitching to smaller publishers whose guidelines may be a little more lax on some of the ‘taboo’ Christian issues, or to an agent who represents both CBA and ABA markets, or self-publish. 

If you choose the self-publishing route, please hire an editor and cover artist and present your work in a professional manner!

The most important advice I can give a writer of any genre is to write the book of your heart and make it the best book you can! Keep learning and growing, be teachable and flexible and don’t ever give up. Writing is a talent, a gift given to you by God. Don’t bury your talent or hide your gift. Trust in your calling, your voice and your God.
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Award-Winning Author, Pamela S. Thibodeaux is multi-published in fiction and non-fiction. Her writing has been tagged as “Inspirational with an Edge!” (tm) and reviewed as “Steamier and grittier than the typical Christian without decreasing the message.” She is the Co-founder and a member of the Bayou Writers Group in Lake Charles, Louisiana. As a former member of American Christian Fiction Writers (formerly ACRW), Golden Triangle Writers Guild, Coeur de Louisiane and RWA, Pam won Coeur’s 1999 “Diamond In The Rough” as well as their 2000 “Ruby” Award and received her RWA Pro Pin in 2001. A committed Christian, she firmly believes in God and His promises. God is very real to her and she feels that people today need and want to hear more of His truths wherever they can glean them. Although her writing is Inspirational, she does her best to encourage readers to develop a personal relationship with God. The deepest desire of her heart is to glorify God and to get His message of faith, trust and forgiveness to a hurting world. Her hope is that all of her stories will touch the lives of everyone who reads them and – in some way – bring them a truer knowledge of God and urge them into a closer walk with Him. Social Media links: Website: http://pamelathibodeaux.com  Blog: http://pamswildroseblog.blogspot.com
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September 25, 2017

Maximizing Use of Beats in Dialogue


By Julie Lessman


Action speaks louder than words. Do you believe it? Well, if you’re an author, you better, because we must use words to convey “action” in a reader’s mind or “movie mind” as I describe in my Seekerville blog, Keeping it “Reel” … or a “Novel” Approach to Putting a Movie in Your Reader’s Mind.

Maximizing use of “beats” (or action) in dialogue ramps up tension, so instead of overuse of speaker attributions (i.e., he said, she said), try a healthy dose of action beats with minimal speaker attributions or none at all.

1.) ACTION BEATS ALONE ENHANCE DRAMA, especially with only two speakers, allowing less chance for confusion. This excerpt from A Hope Undaunted shows it both ways—with speaker attributions and beats, and then beats only, which I think elicits more tension. But . . . you be the judge!

SPEAKER ATTRIBUTION/BEATS:

“Is that all this was between us then?” he said, locking her wrist midair when she tried to slap him. “A little fun while your rich boyfriend was off limits?”

“I never started any of this,” she said, jerking her hand free, “and you know it. It was you.”

“No,” he said, fingers digging in as he pressed her to the counter. “But you sure finished it, didn’t you?”

BEATS ONLY:

She tried to slap him, but he locked her wrist midair with a painful grip. “Is that all this was between us then? A little fun while your rich boyfriend was off limits?”

She jerked her hand free. “I never started any of this, and you know it. It was you.”

His fingers dug in as he pressed her to the counter. “No, but you sure finished it, didn’t you?”

2.) ACTION BEATS W/MINIMAL SPEAKER ATTRIBUTIONS CAN ENHANCE EMOTION. In this angry love scene from A Passion Most Pure, I relied heavily on beats (underlined) because speaker attributions can slow the flow of a tense scene. Only two speaker attributions are included (bolded) to drive emotion home with a strong response.

She jerked her hand from his and stood, quivering as she caved against the chair. “I can’t marry you, Collin.”

He leaned in. “I know you love me. Can you deny it?”

She didn’t speak and he jumped up, gripping her arms to lift her to her feet. When she wouldn’t look at him, he grabbed her chin. “Look at me! Can you deny you love me?”

She stared through a mist of tears. “Let me go.”

“Tell me you don’t love me.”

“I don’t love you.” 

“You’re lying, Faith. I would have thought better of you than that.”

“Well don’t!” she screamed. “I’m not better than that. You’ve said your apologies, Collin, now let me go.” 

She tried to turn away. He jerked her back. “I know you love me. Don’t you think I can feel it every time I touch you?” He silenced her with a savage kiss. She struggled to pull free, but he only held her tighter, the blood pounding in his brain. His mouth was everywhere—her throat, her earlobes, her lips—and he could feel the heat coming in waves as she melted against him. She was quivering when he finally let her go.

“You love me, Faith,” he said quietly. “You know it, and I know it. Your heart belongs to me, and nothing can ever change that fact—not Charity, not you, and not your god.”
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Julie Lessman is an award-winning author whose tagline of “Passion With a Purpose” underscores her intense passion for both God and romance. A lover of all things Irish, she enjoys writing close-knit Irish family sagas that evolve into 3-D love stories: the hero, the heroine, and the God that brings them together. Author of The Daughters of Boston, Winds of Change, and Heart of San Francisco series, Julie was named American Christian Fiction Writers 2009 Debut Author of the Year and has garnered 18 Romance Writers of America and other awards. Voted #1 Romance Author of the year in Family Fiction magazine’s 2012 and 2011 Readers Choice Awards, Julie was also named on Booklist’s 2010 Top 10 Inspirational Fiction and Borders Best Fiction list. Julie’s most recent novel, Isle of Hope was voted on Family Fiction magazine’s Best of 2015, and Surprised by Love appeared on Family Fiction magazine’s Best of 2014. Her independent novel A Light in the Window is an International Digital Awards winner, a 2013 Readers' Crown Award winner, and a 2013 Book Buyers Best Award winner. Julie has also written a self-help workbook for writers entitled Romance-ology 101: Writing Romantic Tension for the Sweet and InspirationalMarkets. You can contact Julie through her website and read excerpts from each of her books at www.julielessman.com<http://www.julielessman.com/