Pages

Showing posts with label Eva Marie Everson. Show all posts
Showing posts with label Eva Marie Everson. Show all posts

April 5, 2017

Living Libraries


By Eva Marie Everson


As is true with most cultures, the South loves story. And she’s not above making some of it up.
Most Southerners can tell you about the history of their family—where they hailed from, how many fought in the “War of Northern Aggression,” who originally owned this piece of jewelry, or how that shotgun managed to make it back from the war.

Nearly every Southern adult in their sunset years can tell you about surviving the Great Depression—wearing potato-sack clothes, working rows of cotton and endless tobacco fields. Difficult as they were, these were the best of times, they’ll tell you. Times when families sat in front-porch rockers and talked.

These are the folks I call “living libraries.”

Too often, as I try to recall something one of my parents or grandparents told me about such-and-such a time, I also realize there is no one to verify that story fragment I no longer remember.

When Aunt Snook snuck off to marry the soldier, was her dress cobalt blue like her eyes . . . or chocolate brown like her hair? And did they sneak off because her daddy didn’t approve . . . or his mama?

Writing The One True Love of Alice-Ann (Tyndale House Publishers, April 2017), a story set in World War II, began with a remembrance of a tale told to me by neighbors, now both deceased. He had been shot down in the Pacific and survived. But she had been told he died.

This led to the “what if” all novel writers live for.

What if, I thought, she had met another man? What if she fell in love with him, only to discover her first true love hadn’t died at all?

To set the novel during WWII came without question. But my knowledge of that era was sadly limited mostly to what I’d seen in movies.

My parents are deceased, but they have living siblings. I found my aunts and uncles excited to share their stories. (They had been children during the war, but they remembered the years well.) As it happened, one of my maternal uncles owned a book that recounted the taking of nearly 300,000 acres of private farmland in five Georgia counties by the government to build Camp Stewart, today one of the most vital Army posts in our country. “They took a good deal of Granddaddy Kicklighter’s land,” my uncle said, “and he had a stroke.”

Literally. He had a stroke.

That went in the book.

My brother remembered our paternal grandmother—a tenant farmwife—telling about German and Italian POWs held in Bulloch County who helped tend the land alongside them. “They were nice,” Grandma said. “And said we were kinder than their own countrymen.” And that went in the novel.
Our grandmother died in 2000, but her youngest child shared memories of swimming in the pond after long days of farming . . . and that went in the novel too.

As I worked on the manuscript, my brother called to tell me the Bulloch Historical Society had located the land where the POW camp once stood. The reporter had interviewed 101-year-old Naomi Neville, who remembered cooking for the prisoners who worked her late husband’s peanut farm.

Turns out, he had been the cousin of my maternal grandmother.

I devoured the article.

In addition to reaching out to living libraries, I read books from brick-and-mortar libraries. I viewed documentaries and films. I studied advertisements and articles from a bygone era.

And, in the end, I had a novel I’m quite proud of.

But I’m fearful because we’re losing the oldest members of our living libraries. Soon enough, we will be a part of the volumes on the shelves.

Perhaps we already are.

____________________________________________________________________
Eva Marie Everson is the award-winning, bestselling author of over 30 fiction and nonfiction titles. She is the president of Word Weavers International, the director of Florida Christian Writers Conference, and a popular speaker across the US. Her latest work, The One True Love of Alice-Ann, releases in April 2017 from Tyndale House Publishers.

November 11, 2016

One Severe Illness, Two Patients, and Two Southern Storytellers


By Eva Marie Everson


I met LeeAnn Jefferies at a writers conference in the glorious Blue Ridge Mountains. I had been on faculty at this particular conference for over a decade; this was LeeAnn’s first writers conference of any sort. I can’t say I’d noticed her before we were introduced. The conference draws hundreds. But the moment she sat in front of me in the faculty/conferee conference room, I felt an immediate connection.

“My name is LeeAnn Jefferies,” she said, her voice quivering. She opened a portfolio of glossy photographs and tear sheets. “I used to be a model for The Ford Modeling Agency—have you ever heard of it?”

I assured her that I had.

“But I’m also a bipolar,” she said, her words now growing stronger, as though she were prouder of the second bit of information about herself than the first.

I fell back into my seat. A family member of mine had recently been diagnosed with the same … and her illness had affected me in ways I still find difficult to articulate.

“Everyone says I need to talk to you,” LeeAnn continued.

“That’s because they know …” I struggled with my words. I blew out a deeply-held breath. “They know the heartache of what I’ve been through lately.”

After a few minutes of flipping through the photos in her portfolio, LeeAnn declared, “Eva Marie, I have a story to tell … but I don’t know how to tell it.”

Well, that wasn’t altogether true. She knew how to tell it. She just didn’t know how to write it. “LeeAnn,” I said. “I can’t write my story. But I do know how to write. If you tell it to me, I’ll write your story.”

Over the course of the next few years—literally, years—I filmed LeeAnn as she painstakingly told her story of being adopted at nine months of age … of often feeling unloved and unwanted by the very people who had adopted her … of how her mother, when LeeAnn had been only 17 years old, nearly ordered her boyfriend of three weeks to marry her (and he did!). She talked to me of the few months she and Kenneth had before he left for 13 months in Korea, of how they’d moved to New Mexico, and how she’d had one … then two children.

And then the voices had begun to tell her things. Horrible things. She explained the euphoria of mania and the pits of despair unlike anything I’d ever heard. She cried when she talked about electroshock therapy, and then glowed a little when explaining about the day a shaft of light poured into her room on the fourth floor of the hospital—the floor where steel doors lock you in and the rest of the world out.

That light, she said, inspired her onward. “Told” her she would see her dreams of modeling in the big league come to reality. And she did … but refusing to take her medication or acknowledging her illness cost her a decades long career in the end.

LeeAnn is from Birmingham, Alabama. I am from Sylvania, Georgia. We are two Southern gals who speak a language we both understand—not only the languages of success and bipolar disorder, but the Southern ease of speech we belles have perfected.

I listened to LeeAnn’s pattern of speech. The dialect. How it changed when she spoke about the elements of modeling and of being bipolar. “The folks at Ford said, ‘You’re beautiful, LeeAnn … just don’t open your mouth and speak.’” And then she laughed. But when she spoke of being bipolar, she said, “Honey, when the mania comes, you may as well understand that it’s doing the driving and you’re just along for the ride.”

As the pen to her voice, I didn’t want to lose that quality. I felt it both amusing and critical. As the writer, I wanted, at times, to polish the words. But to do that would mean losing the flavor. Someone like LeeAnn—someone with such pizzazz and wonder—didn’t need to come across flat and boring.

LeeAnn is anything but boring!

After The Bipolar Experience released, LeeAnn’s husband picked up the book and read it cover to cover. A few days later he called me. “Eva Marie,” he said, “How in the world did you manage to write in such a way that you sound just like LeeAnn?”

“I listened,” I told him.

Because, really … isn’t that what writing the truth is all about? Listening?
______________________________________________________________
To know more about Ford model LeeAnn Jefferies & The Bipolar Experience, go to: leeannjefferies.wordpress.com For more information about best-selling author Eva Marie Everson, go to: EvaMarieEversonAUTHOR.com