By Vicki H. Moss, Contributing
Editor for Southern Writers Magazine
On May 2 on the Suite
T blog, I wrote about the children’s writer Madeleine L’engle, author of the
children’s book A Wrinkle in Time; how she kept writing after
rejections because she couldn’t stop.
Most of you know
that A Wrinkle in Time, a young adult novel in the science fantasy
genre and first published in 1962, won the Newbery Medal. It also won the
Sequoyah Book Award, and Lewis Carroll Shelf Award, and was a runner-up for the
Hans Christian Andersen Award. The book also inspired two film adaptations,
both by Disney: a 2003 television film directed by John Kent Harrison, and a
2018 theatrical film directed by Ava DuVernay.
But what most people
don’t know is that it took Madeleine ten years to sell her manuscript. She kept
writing during her perceived failure. “I’m glad I made this decision [to keep
writing] in the moment of failure. It’s easy to say you’re a writer when things
are going well. When the decision is made in the abyss, then it is quite clear
that it is not one’s own decision at all.
“In the moment of
failure I knew that the idea of Madeleine, who had to write in order to be, was
not image.
“And what about that
icon?
“During those difficult
years I was very much aware that if I lost my ability to laugh, I wouldn’t be
able to write, either. If I started taking myself and my failure too seriously,
then the writing would become something that was mine, that I could manipulate,
that I could take personal credit—or discredit—for. When a book was rejected, I
would allow myself twenty-four hours of private unhappiness. I’m sure I wasn’t
as successful in keeping my misery from the family as I tried to be, but I did
try.”
Madeleine goes on to say
she would take a walk and do her weeping. She could also play games with the
children at dinner, but she couldn’t listen to Bach. Unlike Madeleine, I
didn’t weep over rejections, nor did I nail my rejections to a timber like
Stephen King. I did, however, keep every single rejection in a box and I also
kept good records in a three-ring-binder pertaining to where each story was
sent and if it sold or not. By keeping good records, I prepared myself for an
eventual book sale—and a possible IRS audit. Because one day down the road, I
planned on making some sales. Goalzzzzz! Before that day came, I kept myself in
a positive frame of mind, and began writing for kids’ magazines to keep me
pumped before a book deal.
But if you must weep,
go ahead. I’ve found weeping, however, makes me weak. I do better thinking
about how many rejections Stephen King had before he made a sale; somewhere in
the sixties. Zen and the Art of Motorcycle Maintenance by
Robert Pirsig had 121 rejections. Chicken Soup for the Soul by Jack Canfield had 144 rejections. Kate DiCamillo had 473 rejections beforeBecause
of Winn-Dixie (one of my favorites) was published. Louis L’Amour had
200 rejections before he was finally published.
Feel better now? Just
remember, if you must write in order to be—like Madeleine L’Engle—weep if you
must over rejections. Go all out on the gloom and despair bit for a few hours.
Then get back to work pronto. What helped me was to say, “Yay, I got a
rejection letter today! Now only 60 more before I’m up there with Stephen
King’s rejection number,” or “200 more rejections until I’m up there with Louis
L’Amour’s count!” I actually celebrated those first rejections and continued
the countdown. Worked for me. Saved my mascara.
And after 57
rejections, I sold my first story. And *drumroll* bought the family hamburgers
that night because it wasn’t enough money to go all the way with cheese. But
hey, I still had my first writing paycheck.
I’ll say it again,
weep if you must, but only for a time. Because time’s a wastin’. Go ahead and
laugh and listen to Bach. While writing. Then send your manuscripts out. Those
editors, agents, and publishers who accept unsolicited manuscripts are waiting
for your masterpiece. It won’t get published unless you 1) send it out, or 2)
self-publish. Those are your options. Success won’t happen unless you put
yourself out there and embrace a few
rejections.
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