After
I wrote my Texas novels, I continued to keep that little research book close
by. It sat on my desk or my nightstand, and it even went on vacation with me. About
five years after I’d purchased it, I was tossing around ideas for my next
writing project. I didn’t want to write another plantation novel, yet I felt so
strongly about the importance of the slave narratives that I didn’t want to
venture too far away from the topic. What to do, what to do? My eyes drifted to
that little orange book on my nightstand. Sam Jones Washington’s familiar
smiling face met my gaze . . . and suddenly I knew. I would
write that story! The story of an FWP writer going to interview a former
slave and the unlikely friendship that develops between them.
Writing
Under the Tulip Tree was a labor of love. In many ways, this is the book
I’ve waited my entire life to write. The characters became real people in my
heart and mind, especially Frankie. I can never know what it was truly like to
live in bondage or to be a black person in the world today, but writing
Frankie’s story opened my eyes to the struggles, the prejudices, and the
oppression people of color have been forced to deal with for generations. Like
the slave narratives, Frankie’s story doesn’t wallow in the difficulties, but
simply tells the tale of her life as a slave and as a free woman.
Research
trips are a must when writing historical fiction. Thankfully, my husband of thirty-three
years is a willing field trip buddy, so we set out to visit many of the places
around Nashville where Frankie and Rena would have gone. The neighborhood of
Hell’s Half Acre was demolished in the 1950s, but as I stood on Capitol Hill, I
could envision what it might have looked like in 1936. When we visited the
ruins of Fort Negley, I stood in reverent silence, looking down to the area
where the contraband camp was once located. To the north is downtown Nashville,
with the Cumberland River barely visible these days because of high-rise
buildings. When I closed my eyes, I could almost hear the roar of Union gunships.
How frightening that must have been for former slaves like Frankie as they
awaited the outcome of the Battle of Nashville. Our last stop was City Cemetery
where many former slaves are buried. There, I sat under a tulip tree, its
yellow blossoms bright in the afternoon sunshine, and I wondered if any of the
people buried there had once told their story to a Federal Writers’ Project
employee.
Frankie
and Rena are products of my imagination, but my hope is that they bring honor
to the real people whose lives they represent.
Michelle Shocklee is the author of
several historical novels. Her work has been included in numerous Chicken Soup
for the Soul books, magazines, and blogs.
Married to her college sweetheart and
the mother of two grown sons, she makes her home in Tennessee, not far from the
historical sites she writes about.
Visit her online at michelleshocklee.com.
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