By
Susan Reichert, Editor-in-Chief
for Southern Writers Magazine
If I had a nickel for every time I’ve read an
article with instructions on how to know your audience–– and it had more than
fluff in the body, I could probably get a Grande Vanilla Latte.
We are all looking for ways to define,
streamline and know our audience. Then once we find this audience, we hope we
use the right approach and not scare them off.
But maybe, if we use this approach we will have
an easier time determining who our audience is.
I think it is easy to forget to plan our
approach to the words we are writing. We also forget to consider how this
audience will perceive our approach and how they might react to our message.
Sometimes an audience may not like how we
express ourselves.
Therefore, we must consider our words.
Who knew there was so much to remember?
When I was a child my grandfather use to tell
me to put myself in someone’s shoes and ask myself how I would feel. Excellent
advice for us to put in use today including when we are writing.
Looking at the book we
are writing, I guess it would be important to think about the people that will
be reading it––what will the words say to them. What pictures will the words
bring into their minds? What emotions will the words and characters stir in our
readers?
But wait. I’m in my
shoes, what do the words say to me? When I am reading my words, what pictures
play in my mind? What emotions stir in me as I read the words and see the
characters? What questions do I have? What do I need explained? Do I understand
the story––does it touch me?
Esther Williams, a famous actor and swimmer in
the 1940 -1950’s said, “It appeared as if I had invited the audience into the
water with me, and it conveyed the sensation that being in there was absolutely
delicious.” Her movies always showcased her swimming.
She made it look inviting and easy.
That is how we want to write, inviting the
audience into the story with us so they have the same sensation of being there
as we did when we were writing the story.
People have different
perceptions. What I perceive someone is saying or doing may be
different from how someone
else perceives that same person.
Barry Unsworth, an historical fiction writer said, “All my
fiction starts from a feeling of unique perception, the pressure of a secret, a
story that needs to be told.” He knew we all perceive things different so he
developed a unique perception.
Perhaps we can use
these questions to help us.
Why did I write this?
How did it touch me?
What did I learn about
my story and my characters?
Will my audience feel
and see the same things?
What did I take away
from this story?
Will my audience?
Shia LeBeouf, the actor said, “What's cool is when you're
able to give your audience imagination and you don't have to cage them in like
animals.” That’s what our writing can do for our readers.
Maybe we can give our audience imagination!
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