By Susan Reichert, Editor-in-Chief for Southern Writers Magazine
Adding emotions to our
characters is not always easy. Or is it?
If you are a parent, you
know your child can turn on an emotion at the drop of a hat. Tell a
three-year-old no, and that bottom lip comes out automatically. Within a matter
of minutes, the child’s sadness can morph into a full-blown temper tantrum.
Since this child has
never had acting lessons, hasn’t been to college and obtained a Master’s in
Creative Writing, then we must assume emotions can be created from within.
When we are writing we
need to look at the emotions our characters are feeling and show those
emotions. Are they supposed to be happy, sad, funny, angry, crying or laughing?
How does that emotion feel? Can we show that emotion to our readers without
telling them the emotion’s name? Can we get them to feel that emotion along
with us? Ah, there is the rub. So what can we do to show and not
tell?
Showing anger for a
writer can be difficult, but of all who seemed to have mastered writing anger
in a screenplay was Oliver Stone for Al Pacino in Scarface.
Actors put themselves in
the characters shoes in order to act the part. As writers, we need to put
ourselves in the characters shoes. We do this by going into our memory banks
and determine which emotion it is we need. Is it the angry emotion? Then we can
think back, when was the last time we were angry? Why were we angry? How did
that anger feel? What did our face look like, what did our eyes look like? What
were our thoughts?
Pulling the emotions that we have used in real life and
writing them for our characters creates a way for our readers to feel the
emotion, which draws them into our story. The reader remembers this scene
because his/her emotions are attached. The scene comes alive and is believable.
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